Dalida - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | meubeltrend.eu Dieses Porträt ist der französisch-ägyptisch-italienischen Sängerin Dalida gewidmet. Sie ist in Kairo geboren und führte ein modernes Leben in einer konventionellen Zeit. Ihr erstes Konzert gibt die damals Jährige im legendären Olympia in. Film Dalida: Ein Film über die Sängerin Dalida - von ihrer Geburt in Kairo bis zu ihrem weltweiten Ruhm in den er Jahren.
Dalida Film „Dalida“ - Hintergründe
Dieses Porträt ist der französisch-ägyptisch-italienischen Sängerin Dalida gewidmet. Sie ist in Kairo geboren und führte ein modernes Leben in einer konventionellen Zeit. Ihr erstes Konzert gibt die damals Jährige im legendären Olympia in. Dalida ist ein französischer biografischer Film, der 30 Jahre des Lebens der Sängerin und Schauspielerin Dalida von ihren ersten Erfolgen in den späten. Als junge Frau war die eigentlich oft ängstliche Dalida (im Film eine durchaus famose Besetzung als Performerin, weniger als Schauspielerin. Dalida ist ein berührendes und tragisches Portrait einer emotional komplexen Dieser Film ist sehenswert, nicht nur für DALIDA-Fans, weil der "Zeitgeist" der. Biopic über das Leben von Sängerin und Schauspielerin Dalida, die sich am 3. Mai umbrachte, nachdem sie weltweit mehr als Dalida - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | meubeltrend.eu Lisa Azuelos („Ein Augenblick Liebe“) zeichnet ein intimes Portrait einer komplexen, modernen Frau: Mit über Millionen verkauften Schallplatten weltweit.
Dalida - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | meubeltrend.eu Dalida ist ein berührendes und tragisches Portrait einer emotional komplexen Dieser Film ist sehenswert, nicht nur für DALIDA-Fans, weil der "Zeitgeist" der. A great Intro into the Magnificent Dalida! Very intense drama, very well acted and superb music! En Francais with subtitles. If you love period piece film, this is for.
Leading a tumultuous life, Egyptian-born French-Italian singer Dalida navigates love, success, suicide and the dark side of fame in this biopic.
Watch all you want. More Details. Watch offline. Available to download. This movie is Coming Soon. A hardened war horse transported away from battle finds herself in a land that's inhabited by silly, singing centaurs of all shapes and sizes.
A chronicle of the year career of soccer star Roberto Baggio, including his difficult debut as a player and his deep rifts with some of his coaches.
He came from Africa and fought alongside a mighty feudal lord in brutal 16th century Japan. They called him the Black Samurai, and he became a legend.
Shortly thereafter, her best friend Miranda introduced her to Miss Ondine, a minor Cairo beauty pageant which she joined under two conditions: to be the minor one [ clarification needed ] and that her mom Giuseppina must not find out.
The next day when Giuseppina found out, she forcibly cut Iolanda's hair short. Eventually, her mother gave up on her principles and Iolanda left her job to start modelling for Donna, a then famous Cairo-based fashion house.
On her 21st birthday, Giuseppina gave her blessing for to join the Miss Egypt competition. Held during spring in the salons of the L'auberge des pyramides , she made a sensation of appearing in a two-piece panther-print bikini.
The judges were overwhelmed and Iolanda won the title, automatically becoming the representative of Egypt on Miss World in London. As the election was attended by three film directors, the victory opened her the doors of the Egyptian cinema ; Marco de Gastyne cast her in The Mask of Tutankhamun and Niazi Mostafa for leading role in A Glass and a Cigarette ,  on which posters she appears with her newly adopted stage name Dalila because, as she explained in , "it was a very frequent name in Egypt and I liked it a lot.
On 25 December , Dalila left Egypt for Paris. She met with a number of directors, auditioned for movie roles, but failed each time. Vidal relocated her to a smaller apartment where her first neighbour was Alain Delon then still unknown to the wider public , with whom she had a brief relationship.
Dalila's difficulty in finding acting work throughout led her to try singing. Vidal introduced her to Roland Berger, a friend and professor who agreed to give her singing lessons 7 days per week at a low price.
He was very strict and used to yell, with Dalila responding even more loudly. In future years, Coquatrix said: "[H]er voice is full of colour and volume, and has all that men love: gentleness, sensuality and eroticism.
Why don't you replace the second 'l' with a 'd', like God the father? Barclay wanted to watch a film, whereas Morisse wanted to attend the competition, which was being held at Olympia, then the largest venue in Paris.
They settled their disagreement by playing , a dice game, which Morisse won. That event was later perpetuated in biopics and books, and became regarded as fateful for Dalida's career.
The three men went on to play a large part in launching her career. Visibly satisfied, his interlocutor demanded more work on mini-flaws, for a new audition in front of Eddie Barclay in person.
He planned to promote her through a series of concerts, including two concerts at the Olympia, two weeks in Bobino, and a tour of the provinces.
Her first song "Madona" was recorded in June and was first released in August on EP with three other songs. Dalida continued performing live throughout the latter part of , while her promoters worked on developing a song that would make her a star; Morisse asked lyricist Jacques Larue to write a French language version of "Guaglione", the winning song of recent fifth Festival di Napoli , which would become Bambino.
Bambino was released in early December only as a promo single, but quickly receiving more public interest than all of her previous recordings, Morisse started to heavily promote it and it was placed as title song to Dalida's debut album Son nom est Dalida that was issued by the end of same month.
After debuting at number seven in January ,  Bambino reached number one and went on to become the biggest-selling and one of the most beloved pop standard hits of the '50s in France, Belgium, Canada and Switzerland.
As the song knocked Doris Day's "Whatever Will Be, Will Be" off the top of the French charts,  women began to emulate Dalida's makeup, resulting in the explosion of Rimel sales, while the men saw in her a talent, sensuality and sexiness.
Coquatrix then named her "the first sex-symbol of the song". On the night of 27 February , Dalida held her first concert at the Olympia, as the opening act for Charles Aznavour, and was widely applauded.
Staying in top ten for eight months, it earned Dalida her a second gold disc. Dalida's experimenting with exotica resulted with "Gondolier", released over Christmas in For the exotica song with accentuated vocals, Dalida delivered a TV appearance where, while sailing the imaginary gondola, her dress' shoulder strap fell down.
By the end of April , a radio programmer listened Dalida recording "Dans le bleu du ciel bleu" in Barclay's Hoche studios in Paris.
Immediately asking for a copy of the tape and passing it on the antenna, the radio station was flocked with phone calls of people asking for the number of the disc and when would it be available.
Then she also performed in Algiers during summer, supporting the morale of French soldiers fighting the Algerian War, and held a new series of galas in France and Belgium that ended regularly with two hours of autograph signing.
With Je pars, Dalida started French rock 'n' roll and also paved the way for foreign rock artists to enter the market, like Paul Anka. These two B movies were also used for promotion of her three songs "Inconnue mon amour", "L'amour chante", and "Aime-moi", and were released in September and March , respectively.
On 9 October, she again performed at Bobino, this time for three weeks as the headline performer, where she promoted her latest releases "Du moment qu'on s'aime", that peaked the charts same week, and "Come prima".
Topping charts in January , where it remained during most of winter, "Come prima" proved to be an ultimate holiday hit of France and Belgium, as Dalida could be seen promoting it on a Christmas-themed television set.
She quickly rejected the offer, saying that she wanted to focus on her musical career in France where she was already well-known with a secure fan base.
Dalida toured extensively in , playing sold-out dates in France, Egypt, Italy, and Germany. In late summer, Dalida was back in the studio to record her first major international hit.
In the period from to , "Le jour ou la pluie viendra" was recorded in three languages, which led Dalida straight to the top three in six different European countries.
The German language version "Am Tag als der Regen kam" topped German charts for ten weeks in September and October, earning her another gold disc.
It was the best-selling record of the year in Germany, and remained one of the most successful songs in history of the country. In the course of , Dalida collected five Top 10 hits in French charts, most notably "Ciao, ciao Bambina" and "Guitare et tambourin"; both earning gold discs.
Dalida also performed in successful sold out concerts in Berlin, Athens and Cairo, delivering a sentimental performance in front of a crowd in Rivoli cinema that she frequented as a child.
Dalida debuted with "T'aimer follement", a chart topper in France and Belgium in February. It reached top two in six European countries and Canada, topping charts in three of them.
With a harbor theme, showing Dalida singing and lying on a fishing net and artificial wind blowing, it made journalist Jacques Chancel call it; "the first video in France that really made a shift from the era of outdated videos".
Also, since the appearance of new radio programs for youth like Salut les copains , both the music hall songs and singers, like Dalida, started to be regarded completely obsolete.
Securing her position of a lead singer in France, "Itsi bitsi petit bikini" introduced Dalida to a whole new generation of young fans.
Topping charts across Western Europe and in Canada, the record was also her second one to sell over a million and gained her thirteenth golden disc.
Success was followed with "Milord", a number one in Austria, Germany and Italy, after which was named her first album issued solely for Italian public.
It remained her biggest French hit of the year as she busied herself with another year-long world tour which started in Teheran on 18 February, in front of Iranian royal family in their Sa'dabad Palace.
After me, it will be you. During , Dalida issued a set of new Italian songs on Canta in Italiano EP, and also scored several top ten hits internationally such as "Nuits d'espagne" and "Tu ne sais pas".
During spring in Italy, Dalida signed with film director Giorgio Simonelli and revived her film career with the first film in which she plays the main role.
Originally filmed as Italian movie Che femmina Contrary to her other previous movies, Che femmina After a short break Dalida was back on tour, this time starting in Canada where Tu peux le prendre had reached number one.
Accompanied on the piano by then leading French teen idol Johnny Hallyday , he also taught Dalida the moves for what she said: "he really showed himself, the most friendly of teachers of this new rhythm".
But what is she doing here, they still listen to her? Anyway, the record spent two weeks at number one during spring. An unusual image of Dalida found its public and was a hit in cafes.
Alongside Dalida's performance of the song on 26 September, in front of a crowd of 2, people on the first floor of the Eiffel Tower, "Le jour le plus long" topped charts in France for two weeks and earned her another gold disc.
In Algeria, she became the first artist to appear since the proclamation of independence. Although the movie was a commercial flop, Dalida received favorable reviews.
King 's "Stand by Me" as "Tu croiras", which was followed by an equally more melancholic string of recordings such as "Le jour du retour", a summer number one hit in Canada, and "Eux" that later peaked at number two in Argentina and was recorded in five languages.
The world tour was prolonged into only with several short breaks. The tour's French leg started on 11 April , after which Dalida traveled 30, kilometers solely by car during its five-month run, with a public attendance over , The tour was emulated with concert residency in Olympia two days later when Dalida and other celebrities; Charles Aznavour , Francoise Hardy , Johnny Hallyday and Sylvie Vartan , were brought to the Olympia's entrance by the same drivers on their roofless trucks, making a parade alongside the streets of Paris.
During the television transmission of the crowd at the entrance, a teenage fan said: "We can hardly wait for her [Dalida] to appear, we've been screaming for an hour and the atmosphere is so crazy", on which the reporter turned to the camera: "the whole Paris came to see [parade], only in front of Olympia there are at least 2, people waiting in the street".
The song was rushed into release and swiftly became hit at the end of the year, earning Dalida another gold disc, the first in two years since "Le jour le plus long".
Dalida was awarded with a platinum disc for surpassing sales of over 10 million records since her debut in Delivering new performances at Bobino and Tete de l'Art in following months, she was in top ten in France and Belgium with a cover of Rita Pavone's "Viva la pappa" that gained Dalida huge interest among children's public.
France-Antilles reported "Only the President of the Republic had ovation of this scale, during his visit in March ".
In June , Dalida recorded "La danse de Zorba", a song from comedy movie Zorba the Greek , which became her biggest international success since "24 mille baisers" in early The song once again brought Dalida to seven international charts, entering the top three in six and topping in two countries.
During summer, Dalida performed in Morocco and Algeria, played supportive role in Italian comedy movie Menage all'italiana, alongside Ugo Tognazzi and then debutante Romina Power, and released one of her first records in single format Wenn die Soldaten.
In October, the song "Il silenzio" came out on the fourth EP of the year. It was also a chart-topping hit in Europe, Canada and Latin America, reaching number one in France and Italy, where it was the best selling record of the year beating "La danse de Zorba" and receiving a gold disc.
Until the end of year, they produced the successful Italian album Pensiamoci ogni sera and three more EPs. On the contrary, Bang Bang was the number one hit in Argentina and Italy where it was also the best selling record of the year.
Dalida also returned to wide screen, with a supportive role in French satiric movie La Morale de l'histoire that included the unreleased song "Je sortirais sans toi".
Later in September, her Italian managers suggested that she participate with Tenco at the next Sanremo Music Festival. Although in previous years she declined the festval, she accepted this time as she was in a secret relationship with Tenco.
With Mama in January , Dalida had success in France and Turkey, and was back on top of Italian charts later the same year.
Under the influence of stage fright and alcohol, Tenco delivered a very bad interpretation while Dalida concluded the evening with ovation, but eventually they were eliminated in the first round.
The following night ended tragically when Tenco was found dead by Dalida in their hotel room. It was reported that the suicide letter explained how he died by suicide due to elimination, as protest to hoax and bribed jury, but the major suspicion emerged how actually the mafia was involved.
The following week on 7 February, she appeared on TV show Palmares des chansons dedicating her rendition of "Parlez moi de lui" to Tenco.
Wearing the same dress she wore when she found his body, the performance was highly sentimental but she showed nothing of a verging depression.
On 26 February, Dalida attempted to take her life, ended up in a hospital and spent five days in a coma. Her career was put on hiatus for three months.
Returning to television on 8 June, on the verge of tears she made her first TV appearance after four months interpreting "Les grilles de ma maison", a cover of Tom Jones' " Green, green grass of home ".
The late summer period brought re-release of "Hava naguila", and a new recording "Je reviens the chercher", the French version of "Son tornata da te" by Tenco.
On the night of 5 October, Dalida premiered her third Olympia concert residency which ran for a month. She was nicknamed Saint Dalida by the press.
The new Dalida is born! After competing for four months at Canzonissima , then the most popular TV show in Italy, in January Dalida won with "Dan dan dan" that reached number two in Italy.
The movie was a minor success, but as it was filmed in colour and several of her new songs appeared in, it provided critically acclaimed music video for her latest Italian chart topper and gold certified L'ultimo valzer.
With more than live performances it was Dalida's longest tour up to that moment and, as a part of it, in summer she participated in a popular Italian summer festival Cantagiro and won the main prize.
It was an instant number one hit with a fair chart performance in several other countries, eventually being recorded in two more languages.
With an issue in single format, "Le temps des fleurs" also announced the end of a long EP era. During same event, Dalida became a Parisian citizen of honor, receiving the Medal of the city of Paris by the Council of Paris , and was also named the Godmother of Montmartre pulbots, the old name for poor children of the quartier where she lived.
Spending on tour and private travelings to India, Dalida released several less successful recordings like "Zoum zoum zoum", "L'an " and "Les violons de mon pays", all poorly promoted on TV and radio attracting some success in Turkey and France.
Dalida and her brother Orlando were already planning for some time to form their own record house as a vehicle to release and to control her musical output.
Dalida's last record released under Barclay label was Concerto pour une voix , an EP released on 15 April Their first record Darla dirladada was also the first success of a very long series.
Already played on radios for a month, the Greek folklore song was released as single on 15 July. It was a moderate sales success, but it won her second Radio Luxembourg award.
In October , Dalida intended to book herself at Olympia for her big Parisian comeback after four years. Bruno Coquatrix did not believe in her change of style and refused to produce the show so Dalida rented and paid the venue by herself.
Seeing the success, Coquatrix offered "Dali" to return whenever she wants "without having to pay a single cent". Premiere night was both recorded on video and as live album Olympia 71 , published a year later alongside Il faut du temps , while the video was first issued in She continued to choose her new songs only for their poetic value, but still paid less attention to their commercial promotion, again traveling to Asia to develop a better understanding of herself.
She shaped her early s image without even trying Peaking at number two and with over one-half million copies sold, it became a gross hit in France by the end of year and received gold certificate.
In the late , Dalida recorded duet "Paroles Lyrics tell a story of a man offering a woman "caramels, bonbons et chocolat" and repeats "que tu es belle" how beautiful are you , to what she answers with "paroles, paroles" words, words indicating that his words are nothing but hollow.
Receiving a triple gold certification, it also spawned a dozen of international covers, inspiring foreign singers to record it in their native languages.
In the future decades, "Paroles paroles" went on to become one of the most famous songs in France of all time and a signature track of Dalida. Like that, the expression "paroles, paroles" entered everyday language and, as Pessis mentioned: "is often used to evoke those who make promises and never hold them".
In late July, Dalida released another song that went to become her signature track: "Je suis malade" "I am sick". The writer of the song Serge Lama recorded and released it earlier that year, but it did not receive any attention until it was spotted by Dalida who later mentioned: "when I saw it on television for the first time, I cried and I knew I have to record it".
Dalida's intention to popularize Lama rather than getting a profit from song made her issue it as a B-side to single "Vado via". Dalida's gestures and facial expressions while performing "Je suis malade" were a natural expression of her personal connection to lyrics that deal with abandonment and despair.
The renditions of the song during the future years left a huge impact on French society and shaped an image of Dalida, described by Vanity Fair as "ultimate drama queen".
By the end of , Dalida released the promotional single A-side Il venait d'avoir 18 ans with B side Non ce n'est pas pour moi. In that same time, she released the album Julien that gathers most of her songs.
The song Il venait d'avoir 18 ans quickly started gaining success and it was again released in the beginning of but as B-side to single A-side Gigi l'amoroso.
Il venait d'avoir 18 ans peaked number 3 in Quebec,  number 4 in Belgium,  number 13 in Germany,  '  and number 37  in Italy while Gigi l'amoroso beat the record held by Frank Sinatra 's Strangers in the Night from for the most sold single in Benelux and charted number 4 in France and number 1 in Switzerland,  number 2 in Netherlands,  number 1 in county of Flanders , number 3 in Quebec, number 2 in Spain  and number 59 in Italy.
The first performance of both songs was during her concerts in Olympia The whole four weeks were sold out and a triumph for the singer and was followed again with a live album Olympia Touring from to would follow this period of unprecedented sales.
At the end of , Dalida released a new album that gathered some songs from singles released in and '75 plus some new material. Most of the songs were from the same genre except for the disco-genre song " J'attendrai ".
This song, released as a single in January , reached number 1 on the French charts and was both first disco hit in France and disco hit in French language.
Achieving that, Dalida holds the title of the inventor of French disco. Following her disco success, in mid she released a new album with completely new songs, most of them disco.
The most notable one was Besame mucho number 7 in France and number 10 in Turkey. She released three albums.
One of them was live Olympia77 , released following her again four-week triumph at Olympia in The other two were albums with completely new songs.
Originally sung in Arabic, the song was translated into French, Italian, and German. Part of the lyrics are based on an old Egyptian folk song about homesickness and celebrating the Egyptian nation.
Dalida continued touring the world, including the USA, for the second time since the s, by playing two nights in New York's Carnegie Hall in November The New York Times review of the Carnegie Hall concert praised Dalida's performance and noted its intimacy and intensity after she began to converse midway through it, revealing her personality.
Most of the audience were French citizens. The concerts were almost sold out, but nevertheless, it was another triumph for her.
Due to the concert, she was offered for the second time a contract to perform in the USA, but she refused it again.
In February, during her Canada tour, an obsessed fan tried to kidnap her by using a hammer but did not succeed.
The song " Je suis malade ", written and originally performed by Serge Lama was made into a success by Dalida during although she released it in In , Dalida recorded her biggest disco hit, " Monday, Tuesday Laissez-moi danser " Monday Tuesday The song was a smash hit, peaking at number 1 on the French charts.
Her debut of was marked by the release of a big disco hit, "Rio do Brasil". Then she released the album Gigi in Paradisco , named for the title song, which was a sequel to her previous hit " Gigi l'amoroso ".
In , Dalida met Lester Wilson. Agreeing to work together he became her choreographer for the upcoming spectacle in the Palais des Sports, booked for January In total, Dalida performed for three hours per day for fifteen days with ten costume changes and twelve dancers in front of an audience of around 90, people.
Palais des Sports of Paris was the largest playing venue in Paris and one of the biggest in France, there was much the same triumph as in Olympia.
Following the spectacle, Dalida released the double live album Le spectacle du Palais des Sports and organized a new European tour and a small World tour.
When she came back, she organized a tour across the whole of France delivering more than 20 sold-out concerts monthly across the French towns and cities.
Very quickly Dalida left disco and started singing slower, moody, deep-minded songs with typical s instruments. It was all caused again by escalating problems in her private life break up with St.
Germain in That same year, she started to sing more often her song " Je suis malade " "I am sick". Her performances of that song during that year and later on, are today one of her most remembered performances.
The song has also become her signature track. From March to April , she gave a month of sold-out concerts at the Olympia in Paris, emulating her successful tour.
It became her last Olympia concert because the following year the Olympia went bankrupt until On the night of her inaugural performance, she became the first singer to be awarded a diamond disc, in recognition of her record sales which had reached 45 million.
She refused to be a model for Marianne of France. She co-hosted and sang her songs. At the beginning of , she had many TV appearances singing still unreleased songs, followed by the release of a new dance album, Special Dalida.
The most remembered songs of the album are the dance songs "Jouez bouzouki", "Danza" and the moody "Nostalgie". Dalida launched a new world tour in and spent most of to playing sold-out concerts from Rio de Janeiro across Europe to Asia.
She made a lot of TV appearances in the s almost every second week. The dance-pop song has very profound lyrics and has remained a big hit, one of the signature tracks by Dalida.
Most of her songs of were gathered on her album released in mid, Les p'tits mots , which also featured such singles as "Lucas" and "Bravo". By the beginning of , her personal difficulties escalated again; she could not dedicate as much time to her career as she would have wanted.
However, she recorded a new collection of mainly dance songs including "Soleil" and "Kalimba de Luna". In mid, she recorded the album Dali , a collection of all her songs released that year.
It includes Dalida singing in seven languages and dancing her way through a huge number of her earlier hits with the best video effects available at the time and wearing more than 40 outfits from the best French and international fashion designers, maintaining her "Glamour" and "DIVA" trademarks gained during the disco era in the late seventies.
Dalida's eye problems returned. She underwent two major eye operations in and put her career on hold as the stage lights started to become difficult for her to endure.
During early , she occasionally did live performances, as well as many TV appearances. When her eyes recovered in mid, she accepted the role of a young grandmother in the Youssef Chahine film The Sixth Day.
As she always wanted to become an actress, she temporarily disregarded her singing career and fully devoted herself to the movie.
She returned to France to promote the movie in late In , she released Le Visage de l'amour with more new recordings and some singles from the album, which would become her last ever album.
She did promote the album but not as well as she used to do previously, due to issues in her private life which had never been worse since
Dalida Film - Main navigationVideo availability outside of United States varies. The show used actual recordings of her beautiful singing. Shopbop Designer Fashion Brands. Amazon Music Stream millions of songs. En Francais with subtitles. Eine Filmkritik von Simon Hauck. Dalida Trailer 2 DF.
Dalida Film Navigasjonsmeny VideoDalida -- Laissez-moi Danser (Monday Tuesday) - Legendado Português Sold by Amazon. Paris, Genau darum. Karussell 4 Tage auf Hiddensee. In diesem Artikel oder Abschnitt fehlen noch wichtige Informationen. Enjoyed the songs so much!!! Von ihrem Vater hatte Dalida zweifelsohne ihre musikalische Ader geerbt, denn er spielte die erste Geige an der Oper Kairos und war als Geigenbauer anerkannt. Über diesen wichtigen Punkte in Dalidas Leben wird hier sehr schnell hinweggegangen. Amy Dieser Artikel wurde wegen inhaltlicher Mängel auf The Walking Dead 8 Stream Qualitätssicherungsseite der Redaktion Film und Fernsehen eingetragen. It was an OK movie! Get to Know Us. Die Besten Pc Programme availability outside of United States varies. More purchase options. LOL
Netflix Netflix. Leading a tumultuous life, Egyptian-born French-Italian singer Dalida navigates love, success, suicide and the dark side of fame in this biopic.
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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Director: Lisa Azuelos.
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Edit Cast Cast overview, first billed only: Sveva Alviti Dalida Riccardo Scamarcio Orlando Jean-Paul Rouve Lucien Morisse Niels Schneider Jean Sobieski Alessandro Borghi Luigi Tenco Nicolas Duvauchelle Richard Chanfray Valentina Carli Rosy Gigliotti Patrick Timsit Bruno Coquatrix Vincent Perez Eddie Barclay Laurent Bateau Le Psy Brenno Placido